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Daniel Farber Huang

Brown University: Photography Exhibition at Brown's Watson Institute Features Faces of Global Refugee Crisis

September 23, 2024

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“The Power of Faces,” an exhibition by two Rhode Island-based photographers on view through Dec. 20, displays portraits of people living in refugee camps across the world.


Visitors to "The Power of Faces" exhibition examined a portrait by Theresa Menders and Daniel Farber Huang of women fleeing the war in Ukraine. Photos by Azurae Cruz/Brown University.

ROVIDENCE, R.I. [Brown University] — In 2017, photographer Daniel Farber Huang traveled to the Greek island of Chios, off the coast of Turkey, where thousands of refugees had arrived after fleeing war in Syria. 


Huang visited a refugee camp, and to his surprise, many people he met asked him to take their photo when they spotted the camera around his neck, even though most had cameras on their own mobile phones.


“When Daniel got home, we tried to understand why so many refugees had asked him — a complete stranger — to take their photos, and we realized it could be validating in a certain way,” said Huang’s wife and photography partner, Theresa Menders. “It was a symbol that somebody recognized them as having survived.” 


With the intention of making more portraits, Menders joined her husband on a return trip to Chios a few months later. Understanding the power of a photo for those who had lost so much, they set up makeshift studios that included portable printers powered by generators so they could give their subjects high-quality copies of their portraits. Since then, the couple, who live in West Greenwich, Rhode Island, has documented and distributed thousands of printed photos at several other refugee camps around the world. 


Theresa Menders, left, and Daniel Farber Huang attended the opening of their photography exhibition at Brown's Watson Institute for International and Public Affairs.

“Having a physical photo of family or friends to hold in one’s hands can be a great comfort in times of need,” Huang said. 


A selection of the couple’s work is on view at Brown University through Dec. 20 in an exhibition titled “The Power of Faces: Looking at the Global Refugee Crisis,” at the Watson Institute for International and Public Affairs. Free and open to the public, the display is part of the institute’s Art at Watson program, which has presented more than 40 installations and events since 2013.


“We felt we could raise awareness of the refugee crisis and be a voice for others who have had theirs taken away because of the situation they are in,” Menders said.


Spanning two floors of the institute’s Stephen Robert ’62 Hall at 280 Brook St. in Providence, the exhibition features photographs of people living in refugee camps in Greece, Bangladesh, Mexico and near the Poland-Ukraine border. The works focus on subjects’ faces, often documented against simple yet colorful backdrops — instead of amid the challenging conditions of the refugee camps. For context, separate photos of the inside and outside of the camps hang alongside the portraits. 


This intentional process emphasizes the subjects’ humanity, said Huang, who, with Menders, has been practicing documentary photography since Sept. 11, 2001, when they were living in Manhattan. 


Globally, at least 117 million people have been forced to flee their homes due to violence, persecution, human rights violations, or events disturbing public order, and among them are nearly 43 million refugees, according to the United Nations Refugee Agency. 



A Watson Institute exhibition features photographs of people living in refugee camps in Greece, Bangladesh, Mexico and near the Poland-Ukraine border.
On their photography trips, Menders and Huang met many refugees who fled their home countries by boat, and some of them wore improperly made life jackets that increased the risk of drowning.
Photos of conditions inside and outside of the camps hang alongside the portraits.

“When you hear about the large number of refugees, it’s easy for vulnerable individuals to get reduced to mere statistics,” Menders said.  “People hearing about them tend to feel powerless and think, ‘I can’t do anything about that.’ That’s why we take the photos of faces — their eyes, their smiles — to show the humanity of every person, because they are people with their own hopes and dreams for a better life for their families.”


In fact, the couple’s four children provide inspiration for their mission to document humanitarian crises and have all accompanied them on trips to camps around the world. 

“In a way, this is a family passion project for us,” Menders said. “We plan our time throughout the year carefully so that we can continue this work as much and as often as possible.” 


“The Power of Faces” is co-presented by Brown’s Center for Human Rights and Humanitarian Studies at the Watson Institute. 


“We believe in the power of art to tell stories and build empathy,” said the center’s program manager, Maggie Murphy, who coordinated the exhibition with Watson Institute Communications Specialist and Writer Pete Bilderback. “This exhibition helps us highlight the real experiences and resilience of refugees. We hope it sparks conversations and inspires compassionate action on the global refugee crisis.”


A panel discussion titled “Refugee Experiences: Perspectives from Rhode Island and Beyond,” moderated by Wendy Schiller, a Brown University professor of political science and the interim director of the Watson Institute, will be held on campus on Wednesday, Oct. 9, at 5 p.m. Huang and Menders will be joined by panelists Omar Bah, executive director of Refugee Dream Center, and Justin Bibee, assistant director of refugee resettlement for Dorcas International, to share insights on the challenges refugees face and discuss how their work helps support these communities.


The exhibition is on view on the first and second floors of Brown’s Stephen Robert ’62 Hall at 280 Brook St. in Providence, through Friday, Dec. 20.




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